Red

Often we pursue a sharpness out of place and out of the question, in the illusion of being able to nail on the sensor, on paper, or whatever the hell it is or will be tomorrow, a reality so provisional and fleeting as prove rebellious to all our attempts to capture it. The only thing that ultimately matters, that escapes the extent and the prison of our realistic ambitions, is the ever-changing and diverse essence of reality. Photography has deceived the people creating the deceptive feeling of being able to freeze the act of vision. And 'an ambitious nonsense. Each choice of the photographer, the frame lens used, intervenes on the photograph thus perturbing the result and producing one and only one of many possible sections of the world in front of him. Not necessarily the most true, of course. None of these sections, in fact, is actually true. Only their complementarity helps to fully describe what one has before. He admitted that this desire of completeness makes sense ... And 'this a kind of photographic uncertainty principle. Thus, photographing, inevitably choose what to show and how to present it. Often astraendoci from the other elements of the scene. And finally to understand that, to tell a colorful world, you can overlook the forms.

Customs.

From Biofoto Festival of Photography in Sardinia

[#collezione#]Abstract Nature[#/collezione#]