The work is part of the collection " Fotocreature Dig -out" . In "Too many concepts on the stones" the author takes the lessons of the Bauhaus and the Soviet Constructivism, personificated in Wassily Kandinsky. The photograph shows a rarefied and regular geometric shapes, straight lines and circles, which interact with each other, creating a new dimension. The reality of the machines, industries, it turns into a sweet melody, transcribed on a rock.
A work can not be explained, the work begins to speak to us through an emotion that words can not express. But who wants to know the mind of the author can read the text that follows.
Throughout time humans have seen the art in Nature; Edward Weston in 1932 referring to the work of Brancusi said that photographers found ready in Nature what the sculptor had to create. But the works of Fotocretaure DIGOUT have a different path, if not opposite: my starting point is not Nature but human art. My starting point are works of art existing (especially of contemporary painting, (mainly abstract but also expressionism, abstract expressionism, cubism, etc.).
Fotocreatures DigOut departs therefore from the human creation, followed by Natural Creation and its digital elaboration, to return to the starting point. There may be a direct similarity of the work with other Artists, or even a reference in the titles or again a likeness to the style of each single Author or of an artistic current. The final result may have been found to be almost “ready made”, or else digitally modified.
2007
[#dettagli#]The series consist of 7 works. Printing is limited to 7 copies IN ALL, mainly in size 100x66 or 150x100 cm , LAMBDA print mounted on Di-Bond.[#/dettagli#]
[#collezione#]Fotocreature Dig-out[#/collezione#]