If in the first half of the eighteenth century Flemish artists were distinguished by their ability to portray the real traction with almost palpable, in Splashes of light, Manolo Tatti changers everything. Photography isn’t considered a tool that captures the reality as it appears, but turns it into visual fiction into an oil painting in which light, that penetrates from left to right, shows up the transparency of the glass material and the saturated green of myrtle berries leaves.
[#collezione#]Splashes of Light[#/collezione#]
