Everything is already for Roman Kitchen

«One is the colors , but we paint with sentiment ." Cit . Jean Siméon Chardin ( 1699-1779.)

The artwork Everything is ready for Roman kitchen remembers the heated debate that has to face the French painter Chardin accused by academics to engage in a minor genre of little consequence, the still life. Without dwelling on their work , the artist emphasizes what is relevant in a painting: not the subject, but the sentiment. It abolishes any aesthetic ornament superfluous and makes the protagonist 's daily life.

By following these principles Manolo Tatti uses for his work of simple dishes photographic art (a metal spoon with salt crystals, one colander earthenware and two worked glass bottles ) and vegetables of the Roman rustic kitchen that brighten with their ranges of colors of the composition.

[#collezione#]Strike Light[#/collezione#]